Posted on Tue, Aug 10, 2010 @ 10:59 AM
Most anchors and reporters I know have at least one person in their life who gives them feedback, not to mention all those viewers who email. And most News Directors and General Managers I know have a lot to say about how they want their talent to conduct themselves on air. So why do you need to hire a talent coach?
First, consider the most common problems with broadcast delivery – higher than normal pitch, lack of energy, and monotone or uniform delivery. We know we don't like these attributes when we see them, but the common cures don't cure them. To convey more energy, most people go louder and faster (louder doesn't really allow faster so the result is frenzy). And the reason most people sound like they're reading, instead of the preferred "just tell it like you're talking to your best friend" is because they are reading!
Solving these problems is easier said than done. And most reporters and anchors are already trying their best to "just be themselves." So that’s why you hire a coach – to help teach people how to do things differently, to point out when there is good expression and tone and when delivery is flat and unremarkable, to help people really see and hear a difference. Sometimes the voices of feedback in your talent's lives reinforce the wrong things. There are a few people around who think flat monotonous delivery is how it's supposed to be (all due respect to my Uncle Alan!). A good coach is an outside, but qualified voice who can translate all the input -- good and bad -- and help an anchor or reporter make changes.
Another reason? To be the bad guy! A good coach should be more than used to delivering honest, sometimes tough information in a way that results in positive change. That’s something most news managers don't always have the time or inclination to do. Plus, sometimes it's just better to have an outside, objective voice deliver the tough criticism. News managers, though, do need to reinforce coaching if it's going to stick.
As a manager, you're trying to create a distinctive news product, one that goes beyond the basics. Your talent is part of that equation. A good talent coach can be your ally and help you achieve those goals.
- Laura Hernandez
Posted on Wed, Mar 03, 2010 @ 09:47 AM

In my many years of coaching, too many anchors have taken any discussion about being passionate and descriptive in delivery to mean that they have carte blanche to say what they want. But I wasn't talking about crosstalk! (Especially talk that doesn't serve the viewer.) Rather, I was talking about bringing more expression and passion to the way they read a story.
Smooth, clean delivery - no mistakes, but no expression and no context - is just not enough. Viewers want and need expression and intonation that support the words, because that's what helps them hear and understand stories. It's the look on a reporter's face and the tone in their voice that helps viewers hear how urgent a fire is. It's good communication. To achieve that, it comes down to listening... truly listening.
Why does it always come down to listening? Reporters and anchors can make their delivery a lot more real by simply tuning in to - and really hearing -- the content that precedes and follows theirs. Like they do during breaking news.
Listening brings appropriate context and connection with the story. The delivery then, is descriptive and passionate. And being descriptive and passionate is compelling television.
-Laura Hernandez
Posted on Tue, Feb 16, 2010 @ 10:16 AM
In his blogs on
Why Local Newscasts Ar
e Getting Easier to Ignore, Bruce Northcott talks about how there are no characters who deliver the news. The truth is, there aren't many Bill Bonds out there any more, and those people that do have something to say probably have their own cable shows. There are some who are willing to take chances, but they don't always have something interesting to say.
There are few people who can and do know when to color outside the lines. If that person exists in your newsroom, it's important to give him/her license to do it. And you must have a producer, director and production team on board to support it. If the producer is yelling "wrap, wrap, wrap!!!" in the IFB of someone trying to make a point, the likelihood of that being a real moment is greatly diminished.
And this is where life isn't fair... just because you give one anchor the license to be a greater voice, doesn't mean you have to give that freedom to everyone. That's how newscasts end up with those comments after stories that are trite, or cross talks that are inside and "optional," because they're about the anchors and not about the issues or the stories. Not everyone can pull it off.
If I were casting the players for a station, there would be at least one character - a leader with a voice. (Ideally, you'd have one for each daypart.) And that leader would be smart - smart enough to know when to push the format aside and have something to say.
-
Laura Hernandez
Posted on Tue, Feb 02, 2010 @ 08:53 AM
Just last week I wrote about bland on-air personalities being one of the reasons why local newscasts are getting easier to ignore. Agreed, there are other factors, of course. But, in my mind, we need more characters in local newscasts. They are all gone... or at least most of them.
On the heels of my rant, last week results of a new Harris Poll that identifies America's Favorite Television Personalities was released. In it, author Regina A. Corso says, "One of the joys of watching television is seeing characters and over-sized personalities." After more than 30 years researching local newscasts, I am convinced viewers love bigger than life personalities on TV. Corso makes that notion the centerpiece of her new study.
So, why do we, in local television, keep putting on safe, look-alike, sound-alike on-air people? The smart-aleck answer is that we have a death wish! The truth is that the real-decision makers in local television are not big risk takers. I urge clients all the time to hire people who don't look and sound like everyone else on TV... and, who have something to say about the world around them.
The people who topped the new Harris Poll:
1. Oprah Winfrey
2. Glenn Beck
3. Jay Leno
4. Ellen DeGeneres
5. Hugh Laurie
OK, I know they are not "news" people, but all of them (and most on down the list) look and sound very different than everyone else on TV. And they all clearly have something to say about the world around them. You may not always, or ever, agree with them, but they are opinionated.
What is the lesson for local TV? I made the case in my blog last week. Harris seems to support the premise. Now, get out there and hire someone unique for your next key on-air opening. Make sure they also have something to say about your community and the world around them.
If we don't do it as an industry, we're going to continue down a road that simply "makes local newscasts to easy to ignore."
- Bruce Northcott